Saturday, January 22, 2011

PHILLIP LIM SPRING 2011




That's a brief excerpt from a preview conversation last week with Phillip Lim, in which he explained his puzzle-piece concept: Backless, side-less, and bottomless garments all somehow came together to form a full look. It was certainly an ambitious gambit, not easy to pull off, but it made for one of the best and most refined 3.1 collections to date.

The most important thing Lim did right was to not stray from the very familiar ground of clean sportswear, and to keep the palette neutral. He also developed his idea of spatial abstraction by playing with sheers, resulting in some of the best experiments with the trend we've seen this week. The backs of leather-paillette-covered T-shirts were done in see-through organza; nude tulle shifts were embroidered with five varieties of black lace; and the trench was given a chic new spin in translucent organza, edged in black and covered in little bobbing threads.

There was definitely a greater sense of luxury, particularly in the beautiful silk menswear tailoring. (Perhaps those looks betrayed his admiration for the tailoring on last season's Paris runways. Or perhaps we're seeing the influence of Nancy Rohde, the stylist and Dries Van Noten consultant who worked on the collection and was Lim's first-ever show stylist.) Another thing Lim has going for him, of course, is that he will always offer the nicer price, and that should propel the bags and shoes that debuted here today into the retail stratosphere.

BEST DRESSED










WITH awards season in full swing, there was plenty of red carpet fashion moments this week. At the Critics' Choice Awards in LA, Livia Firth showed that ethical fashion can look as good as it is for the planet, while 12-year-old Elle Fanning (in Valentino), Emily Blunt (in Azarro), and Tilda Swinton (in Lanvin), also impressed us

Friday, January 21, 2011

CAROLYN MURPHY INTERVIEW

CAROLYN MURPHY






COUNTRY: American model
DATE OF BIRTH: August 11, 1973
PLACE OF BIRTH: Fort Walton Beach, Florida, USA
EYES: blue
HAIR: Brown

Carolyn Murphy measurements

CHEST: 86 cm
WAIST: 61 cm
HIPS: 86 cm
HEIGHT: 176 cm
Murphy was born in Fort Walton Beach, Florida, and grew up throughout Northwest Florida, spending most of her childhood in a trailer park there. At the age of 15, she was spotted by Mary Lou Nash, owner and operator of Mary Lou's Models, a modeling agency. Nash saw Murphy's potential and soon she was modeling in local ads and magazines throughout Florida and Alabama. After she graduated from Choctawhatchee Senior High School, Murphy moved to Milan to further her modeling career. Her career kicked into high-gear when she bleached her hair platinum blonde for a photo shoot, ruining her hair and causing it to fall out. Because of this she had to get a short hair cut which made her popular with many top photographers and soon she was in major magazines such as Harper's Bazaar and Vogue and was named VH1/Vogue's "Model of the Year" at the 1998 Fashion Awards. Murphy is featured on the cover of the 2005 Sports Illustrated Swimsuit Issue, as well as the 1999 cover of Vogue's "Models of the Millennium." She has also posed for the 2002 Playboy calendar. She is currently the face of Estee Lauder, replacing Elizabeth Hurley as the company's primary female spokesmodel. She also started an acting career with the role of "Dubbie the Blonde" in Barry Levinson's Liberty Heights in 1999. She also attended St. Mary's Catholic school in Fort Walton Beach, Florida from kindergarten to 8th grade.

Monday, January 17, 2011

Betsey Johnson - Spring Summer 2011 Full Fashion Show Part 1 (Exclusive)

BETSEY JOHNSON NEW YORK












BETSEY JOHNSON atest infatuation? Cyclists. Kitted out in bright spandex and funny headgear…always having the right of way (at least according to themselves)—it should really be no surprise they have tickled the always-energetic, ever-colorful designer's fancy. Le Tour de Betsey carried us sartorially from uptown to downtown, while a runway backdrop showed video footage from the designer's own citywide spin.

Models wore bicycle-chain necklaces, utility belts, and mechanic's jackets emblazoned with the words "Ride Me." Acid-hued bodysuits and striped thigh-highs sashayed out. One girl attempted to ride a skateboard in stripper heels (the kind with extra room for dollar bills); when she tripped, she picked herself up with House of Betsey aplomb. On the Upper East Side end of the cycle trip, museum-hoppers in black and white knits provided polish, while farther south, Fleet Week was celebrated by smartly dressed ladies in natty sailor suits. The crinoline-poufed ball gowns finished with puff paint and glitter that came out last would only look appropriate in one place: Times Square, where the tour took its victory lap.

Despite turning as mean a cartwheel as ever at the night's end, Johnson confessed a hatred for bike riding herself. "It's such hard work!" she said. "It kills my thighs!"