Saturday, January 15, 2011

INTERVIEW TO GABRIELE COLANGELO

GABRIELE COLANGELO




MILAN, Nov 17, 2008 / FW/ — Born in Milan on the 27th of February 1975, Gabriele Colangelo was undoubtedly “born into the profession”, as he is the heir of a family that has owned for generations a specialized fur workshop characterized by bespoke culture, and by delightful craftsmanship in processing techniques and use of materials.

After obtaining his high school diploma in classical subjects, and while he was taking a Degree in Antique Literature, Gabriele Colangelo took part in a competition organized by the Italian National Chamber of Fashion, winning a scholarship as Fashion Stylist.

In the course of a few years, he gathered a lot of experience. For four years, he collaborated with Itierre Spa, designing the Versace Jeans Donna line. After this first job, he worked with Versace, with Roberto Cavalli for the Just Cavalli Donna project and with the Mariella Burani Fashion Group, for whom he was Artistic Director for the Amuleti J line.

In February of 2008, during Milano Moda Donna, his label Gabriele Colangelo debuted. The young designer introduced a capsule-collection, in which his genetic propensity for craftsmanship in fur was combined with embroidery.

In July 2008, he won “Who is on next?” for prêt-à-porter, a competition invented and managed by AltaRoma together with Vogue Italia, aimed at seeking new creative talents in fashion and accessories.

Press Contact:
GUITAR
Tel + 39 02 316659
Email: advguitar@guitar.it

Thursday, January 13, 2011

BADGLEY MISCKHA VIDEO

BADGLEY MISCKHA NEW YORK SPRING 2011











For Spring, Mark Badgley and James Mischka invoked the "timeless glamour" of White Mischief, the 1988 film about aristocratic British expats in colonial Kenya—a group that apparently dressed impeccably while behaving quite badly, particularly when the sun went down. But what better than fashion to wash away the sins of last night? The design duo cast the collection in fresh powdery pinks and icy blues that were nothing short of angelic.

There was a lot going on here, what with three collections—couture, ready-to-wear, and the contemporary Mark & James line—mixing it up on the runway, at times in a single look. But Badgley and Mischka maintained an admirably stylish coherence. You could watch a lacy jacquard strapless column from couture followed by a little linen jacket and silky high-waisted shorts finished with a beaded belt from Mark & James and not feel jolted.

The designers' take on a bubbling-under-the-surface decadence played out in naughty-nice sheer layers and a high-waisted, floppy-hatted seventies look that recalled Jodie Foster in Taxi Driver. (A curious yet surely unintended overlap with last night's Marc Jacobs show.) Meanwhile Badgley and Mischka's backdrop of Africa inspired slightly more crafty embroideries and macramé weaving.

Though those seeking drop-dead dresses—like the sublimely simple, draped one-shoulder gown in mint green—might have found the selection slightly more sparse than usual amid the addition of casual fare, they should rest easy. There are still a few months until awards season.

Wednesday, January 12, 2011

Amber Valletta Interview

US model Amber Valleta






COUNTRY:American model

DATE OF BIRTH:February 9, 1974

PLACE OF BIRTH:Phoenix, Arizona, USA

EYES:green

HAIR:blonde

Amber Valletta measurements

CHEST:87 cm

WAIST:59 cm

HIPS:87 cm

HEIGHT:176 cm

Amber Valletta biography

Bio:
Valletta was born in Phoenix, Arizona. Shortly after her birth, her family moved to Tulsa, Oklahoma. She attended Booker T. Washington High School. She got her start in the fashion industry when her mother enrolled her in modeling school at the age of fifteen at the Linda Layman Agency. Initially, she did runway work at a local mall on Saturdays. However, her big break came after she cut short her hair and went to Europe.

A local agency sent the now 5'9" brunette to Milan where her first shoot was posing for Italian Vogue. Soon after that, Amber got her first big break; the cover shoot for French Elle magazine by Hans Feurer. Not too long after that, Amber, like most models began residing in Paris. Amber immediately became a modeling sensation, having picked up where fellow supermodels Cindy Crawford and Claudia Schiffer had left off. Photographers and magazines alike couldn't get Amber's face pasted on billboards and magazine covers fast enough.

Amber has since appeared in numerous prestigious advertising campaigns such as Versace, Calvin Klein's Escape, DKNY, Prada, Valentino, Jil Sander, Gucci and Chanel. She co-hosted MTV's House of Style with best friend and fellow model Shalom Harlow and she even became the face of Elizabeth Arden.

Although she didn't end up becoming the sociologist she wanted to be, Amber does use her position as a celebrity to support various charity events. In 1995, she organized a charity called Supermodels Stepping Out Against Hunger, a fashion show that took place in her hometown to benefit the Tulsa Community Food Bank.

Valletta has gone on to act in several films, been on the cover of magazines and in advertisements for Louis Vuitton, Calvin Klein and Versace and hosted MTV's House of Style with friend and fellow supermodel Shalom Harlow. Valletta was scheduled to appear on Punk'd on Season 6 Episode 3, along with David Boreanaz and Kristin Cavallari, but Kutcher had to move the prank played on Valletta to an episode later to make room for the prank played on Dallas Cowboys wide receiver Terrell Owens, which is based on his suspension on November 19, 2005, while playing for the Philadelphia Eagles.

NUDE STUDY







Tuesday, January 11, 2011

Easy, Flawless Skin (the no-makeup, makeup look)

Skin Care: Best Eye Cream Ingredients



According to Rod Rohrich, MD, the chairman of plastic surgery at the University of Texas Southwestern Medical Center in Dallas, facial fat around the eyes starts falling first (likely due to the area’s thin, delicate skin). Combine the natural aging process with cold, dry weather and chances are your peepers will be winter-weary. That’s where supercharged eye creams come into play. Here, key ingredients to look for in a smoothing serum.

Hyaluronic Acid and Ceramides. For plump skin cells nothing beats hyaluronic acid, which draws moisture from the air and holds up to 1,000 times its weight in water. In addition to hyaluronic acid, Jeannette Graf, MD, author of Stop Aging, Start Living, says that ceramides also help maintain hydration. A powerful new formula that includes both: Estée Lauder Time Zone Anti-Line/Wrinkle Eye Crème.

Retinol. “Anybody who can tolerate retinoic acid should use it,” says dermatologist Doris Day, MD. A vitamin A derivative, retinol stimulates cell turnover and collagen production, helping to strengthen skin and reduce complexion imperfections like sun spots and fine lines. Just remember that a little goes a long way; retinol creams make skin more sun-sensitive and can be overly drying, so apply sparingly before bedtime only. To get your nightly retinol dose, Day suggests Olay Professional Pro-X Eye Restoration Complex.

Neuropeptides. Supersensitive skin types might opt for a peptide-packed eye cream instead of a retinoic acid one. Like retinol, neuropeptides also stimulate collagen and elastin production, but are gentler on the dermis. “In studies applying various neuropeptide preparations directly to the skin, exciting clinical benefits were observed almost immediately upon application,” says Nicholas Perricone, MD. “There was visible improvement of the skin’s resilience, tone, and texture.” Try Perricone MD Neuropeptide Eye Contour to brighten your baby blues and for a double dose of peptides, look for Smashbox Halo Hydrating Perfecting Eye Shadow (available next month).

Monday, January 10, 2011

MADELEINE VIONNET SPECIAL MOMENTS

MADELEINE VIONNET



DALLAS, Feb 18, 1998 (Updated Sep 3, 2009)/ FW/ — Madeleine Vionnet was born in 1877 and founder her fashion house in 1912. Her greatest contribution to design is her invention of the bias cut in 1922 that made her famous.

Cutting patterns along the bias forces the fabric to cling to the body and move with it, which created her trademark look of draped, form-conscious clothing.

Regarded by many as the greatest dressmaker of the 20th century, Vionnet was always conscious of women’s bodies. She dispensed with corsets and other constricting garments and used barefoot models to present her first solo collection.

Though simple, her dresses were never plain; the use of a Cartier necklace as a halter strap is a classic Vionnet innovation. This inimitable combination of comfort and glamour made Vionnet’s clothes a favorite among European nobility, Hollywood royalty–notably Marlene Dietrich, Gypsy Rose Lee, and Katharine Hepburn–as well as socialites and other trendsetters.

Opening her first boutique in Paris at 50 Ave Montaigne in 1923, she followed it by opening a store in New York in 1925. Her house grew to employ 1,200 seamstresses, and was the first to create prêt-a-porter designs from haute couture for the US market.

Vionnet closed down her house as World War II broke out in 1939, dying in 1975 at the venerable age of 99.